It’s some cryptic security measure Apple has put in the fcpxml for who knows what! If you do know what it actually is please let me know!) (you can ignore the code in the “bookmark” tags. fcpxml file I was using as a test so you can have a look at how it’s organized: If you can see an easy solution to this let me know!Īnd heres the very simple. I got around this quickly by importing the media multiple times anyways and running a consolidateFootage function at the end. So to access the position attribute it would look like Haven’t spent the time to figure out a way to use the footage that has already been imported if a file is used more than once in a sequence. You use square brackets and wrap the name in quotations. I was able to figure out how to access elements with hyphenated names like in the “adjust-transform” element here: Some current stumbling blocks in case anyone would like to share some ideas: My aim is to have all transform data, text, time-remapping, stills, and basic crossfade transitions transferable through this script. No Transform data or Text or fancy multiclip/audition collapsing has been added yet. It’s not terribly robust right now, and will only import the basic footage ins/outs. Got to give a big props to Dan Ebberts for giving me the confidence that this is even possible. The workflow currently is kinda sorta really very annoying with FCPX and AE, so hopefully this can become something that everyone can use to make their lives just a little bit easier. For anyone interested, I’m in the process of building a script to transition from FCPX to AE, similar to the old Popcorn Island script that worked really nice with FCP7.
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